{"id":10,"date":"2021-04-27T13:13:30","date_gmt":"2021-04-27T13:13:30","guid":{"rendered":"https:\/\/dev.romulusstudio.com\/rt\/?post_type=artist&p=10"},"modified":"2025-04-15T10:07:51","modified_gmt":"2025-04-15T10:07:51","slug":"ruth-ewan","status":"publish","type":"artist","link":"https:\/\/dev.romulusstudio.com\/rt\/artist\/ruth-ewan\/","title":{"rendered":"Ruth Ewan"},"content":{"rendered":"\n
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\u2018It\u2019s Not Too Late to Change\u2019, 2021
perpetual calendar, wood and adonised aluminium boards
110 x 220 cm<\/figcaption><\/figure>\n\n\n\n
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‘How Many Flowers Make the Spring?’, 2021
installation view, Cooper Gallery, Duncan of Jordanstone College of Art and Design, University of Dundee<\/figcaption><\/figure>\n\n\n\n
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\u2018Silent Agitator\u2019, 2019
working clock based upon an early 20th century \u2018stickerette\u2019 (or \u2018silent agitator\u2019) distributed in workplaces across the U.S. by members of the Industrial Workers of the World labour union.
Installation view Sculpture in the City, Bishopsgate, London<\/figcaption><\/figure>\n\n\n
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\u2018Silent Agitator\u2019, 2019
working clock based upon an early 20th century \u2018stickerette\u2019 (or \u2018silent agitator\u2019) distributed in workplaces across the U.S. by members of the Industrial Workers of the World labour union.
Installation view Highline, New York<\/figcaption><\/figure>\n<\/div>\n\n\n
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\u2018Asking Out\u2019, 2019
recreation of Muriel Pyrah\u2019s experimental, art school class from the 1960s.
installation view Yorkshire Sculpture Park<\/figcaption><\/figure>\n<\/div>\n\n
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\u2018A Feminist Jukebox of People Trying to Change the World\u2019, 2018
CD Jukebox containing 600 songs with a Feminist agenda
78 x 70 x 27 cm<\/figcaption><\/figure>\n<\/div>\n\n
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‘Back to the Fields’, 2015\/19
Installation demonstrating the French Revolutionary, Republican Calendar
CAPC Mus\u00e9e d’Art Contemporain de Bordeaux<\/figcaption><\/figure>\n<\/div>\n\n
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‘Back to the Fields’, 2015\/16
Installation demonstrating the French Revolutionary, Republican Calendar
‘Incerteza Viva’; 32nd Bienal de Sao Paulo<\/figcaption><\/figure>\n<\/div>\n\n
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\u2018The Peoples’ Instruments\u2019, 2012
installation view Kunsthal Charlottenborg, Copenhagen<\/figcaption><\/figure>\n<\/div>\n\n
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\u2018Liberties of the Savoy\u2019, 2012
re-ennactment of the sacking of the Savoy Palace during the Peasant\u2019s Revolt involving school children from east London on route to the Lancaster Ballroom of the Savoy hotel. Commissioned by Frieze Projects East and Create for 2012<\/figcaption><\/figure>\n<\/div>\n\n
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\u2018There is no up or down (blue)\u2019, 2012
gouache on board
59.5 x 84 cm<\/figcaption><\/figure>\n<\/div>\n\n
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\u2018We could have been everything that we wanted to be (red version)\u2019, 2011
metric clock utilising the French Revolutionary time system.
100 x 30 cm<\/figcaption><\/figure>\n<\/div>\n\n
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\u2018Apotheosis (Paul)\u2019, 2011
plaster effigy of Antonio Salemme\u2019s \u2018Negro Spiritual\u2019, 1924 (lifesize neo-classical nude portrait of Paul Robeson) believed to have been destroyed in 1945<\/figcaption><\/figure>\n<\/div>\n\n
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\u2018A Jukebox of People Trying to Change the World\u2019, 2003 – ongoing
Rowe CD jukebox containing a collection of more than 2,000 songs, varying in origin, with political or idealist motives. Installation view,\u2018Younger than Jesus\u2019, The New Museum, New York, 2009<\/figcaption><\/figure>\n<\/div>","protected":false},"featured_media":0,"template":"","class_list":["post-10","artist","type-artist","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/dev.romulusstudio.com\/rt\/wp-json\/wp\/v2\/artist\/10","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.romulusstudio.com\/rt\/wp-json\/wp\/v2\/artist"}],"about":[{"href":"https:\/\/dev.romulusstudio.com\/rt\/wp-json\/wp\/v2\/types\/artist"}],"wp:attachment":[{"href":"https:\/\/dev.romulusstudio.com\/rt\/wp-json\/wp\/v2\/media?parent=10"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}